Flash Art, Volume 26, Issue 172, October 1993

William S. Burroughs contributes "Paintings and Guns", pp. 36-38. A photo by Lina Bertucci of William Burroughs with painter Francesco Clemente is at page 36.

Published in Milan, Italy by Flash Art International in October 1993.

Bibliographic Information: 

• Shoaf III.398
• Schottlaender v4.C627, v5.C659
• Raven 19931000FART.26.172

Selected Contents: 

• Gallery Listings
• Gideon Ofrat: "Avital Geva" (essay)
• Avital Geva: artworks
• William S. Burroughs: "Paintings and Guns" (essay)
• Lina Bertucci: photograph of William Burroughs and Francesco Clemente
• Francesco Clemente: "Contemplation" (painting)
• Andrew Renton: "Venice Biennale: Antidote or Double-Bluff?" (essay)
• Derek Jarman: still from Blu
• Anonymous: "Looking Ahead: Venice Biennale 1995" (interview)
• Eva Marisaldi: "Una Code Finale" (art)
• Sylvie Fleury: untitled performance image
• Ludo Weitzer: "The Accidental Tourist: Postcard from the Venetian Eco-System" (essay)
• Yayoi Kusama: "Mirror Room (Pumpkin)" (installation view)
• Ilya Kabakov: "Red Pavilion" (installation view)
• Rainald Schumacher: installation view
• Damien Hirst: "Mother and Child Divided" (sculpture)
• Rirkrit Tiravanija: installation view
• Maurizio Cattelan: "Lavorare é un brutto mestiere" (billboard)
• Christian Leigh and Pedro Almodovar: "I Love You More than My Own Death" (installation view)
• Adrian Dannatt: "Tableaux Vivant: An Absentee's Point of View" (essay)
• Oliviero Toscani: installation view
• Hans Haacke: "German Pavilion" (installation view)
• news
• Benjamin Weil: "A View from Within" (essay)
• Antoni Tapies: installation view
• Enzo Cucchi: installation view
• Daniela Salvioni: "Aperto: A Stroll through the Emergency" (essay)
• Doris Salcedo: sculpture
• Elke Krystufek: installation view
• Julia Scher: installation view
• Gerwald Rochenschaub: installation view
• Peter Greenaway: "Watching Water" (installation view)
• Akira Asada: "Lately the Artists are Becoming Positively Clannish" (interview)
• Bart de Baere: "The Is no Rational Way of Presenting the Biennale..." (interview)
• Robert Wilson: "Memory Loss" (installation view)
• Kaspar König: "There Is a Time to Bite and a Time to Digest" (interview)
• Robert Morris: installation view
• John Currin: painting
• reviews
• José Luis Brea: "Art Beyond the Death... of Art" (essay)
• José Maldonado: "Niche" (sculpture)
• Bruce Nauman: "Clown Torture" (video still)
• Jana Sterbak: "Artist as a Combustible" (performance still)
• Helena Kontova: "Igor and Svetlana Kopystiansky: Through the Past Darkly" (interview)
• Igor and Svetlana Kopystiansky: artworks
• Mark Dion: "The Origin of Species: Alexis Rockman on the Prowl" (essay)
• Alexis Rockman: paintings
• Eric Troncy: "Project Unité" (essay)
• Dominique Gonzalez-Foerster and Anne Frémy: installation view
• Jim Iserman: installation view
• Thomas Locher: installation view
• Adrian Dannatt: "The Broken Mirror" (essay)
• Britta Huttenlocher: drawing
• Sigmar Polke: "Auto" (painting)
• Alighiero e Boetti: sculpture
• Irene and Christine Hohen Buchler: sculpture
• Luk Lambrecht: "Sonsbeek 93" (essay)
• Mark Dion: installation view
• Terry R. Myers: "Painting Invitational" (essay)
• Glenn Brown: "Love Never Dies" (painting)
• Ken Weaver: "Cunnilingus Standing" (painting)
• Rainald Schmacher: "Best Entertainment Show" (painting)
• Francesco Bonami: "Byron Kim" (essay)
• Byron Kim: artworks
• Dana Friis-Hansen: "Minako Nishiyama" (essay)
• Minako Nishiyama: artworks
• Kathryn Hixson: "Kevin Wolff" (essay)
• Kevin Wolff: paintings

Publishing Information: 

• Editors: Helena Kontova, Giancarlo Politi
• Managing Editor: Gilda Williams
• Editorial Assistants: Alison Sarah Jacques, Emanuela De Cecco, Roberto Pinto
• U.S. Editorial Desk: Francesco Bonami
• Copy: Corrinne Mitrakas
• et al