Ambit, Issue 95, 1983






This issue includes an excerpt from the William S. Burroughs workshops in Boulder, Naropa Institute, 1981/2, "The Burroughs Workshops", reported by John Bassett, pp. 40-43. This is accompanied by an uncredited photo of William S. Burroughs [by Bassett?]

Published in London, England by Ambit in 1983.

Bibliographic Information:

  • Not in Shoaf
  • Schottlaender v4.C527
  • Raven 19830000AMBI.0.95, b18
Contents:
  • Clare Jarrett: drawings
  • Michael Foreman: 
    • collages
    • drawings
  • André Breton and Phillippe [sic, Philippe] Soupault: "The Magnetic Fields" (prose, translated by David Gascoyne)
  • Laura Knight: painting
  • Carol Ann Duffy: 
    • "Poker in the Falklands with Henry & Jim" (poetry)
    • "Where we came in" (poetry)
    • "Before you jump (for Mister Berryman)" (poetry)
    • "Words of Absolution" (poetry)
  • Vanessa Jackson: prints
  • Giuliano Dego:
    • "Oxfam" (poetry)
    • "Always Ready for a Psalm (Commemorating the Resistance)" (poetry)
  • Giuliano Gramigna: "From the (Portable) Rite of Sleep" (poetry, translated by Dego)
  • Gilberto Finzi: 
    • "Hair" (poetry, translated by Dego)
    • "Common Sense" (poetry, translated by Dego)
  • H. C. Artman: "from Green-Sealed Message" (prose, translated by Derek Wynand)
  • Michael Krüger: 
    • "In the Heart of the City" (poetry, translated by Agnes Stein)
    • "What Times These Are" (poetry, translated by Agnes Stein)
  • Agnes Stein: "On the Wind" (poetry)
  • Humphrey Evans: "Conversation Piece" (prose)
  • Eugene Dubnov:
    • "from Osip Mandelstam" (poetry)
    • "They Understand Nothing" (poetry)
  • Helen Chadwick: "Solid Objects" (art)
  • John Bassett and William S. Burroughs: "The Burroughs Workshops" (interview)
  • Earle Birney:
    • "Looking Up" (poetry)
    • "family picnic: gran canaria" (poetry)
    • "Divorcing" (poetry)
    • "My Love Is Young" (poetry)
  • Michael Moorcock: "The Fifth Hollywood Letter" (letter)
  • Wes Magee: 
    • "The Love Market" (poetry)
    • "Blue Movie" (poetry)
    • "In the Betting Shop" (poetry)
  • David Tipton: 
    • "The Tyrant" (poetry)
    • "Travel Again" (poetry)
    • "Panacea" (poetry)
  • Deborah Levy: "Tango Through the Green Tanks" (prose)
  • Terence Heywood: "Slowcoach" (poetry)
  • Herbert Lomas: review of Burned Books by Ken Smith
  • Neil Curry: 
    • review of Unpacking Mr, Jones by John Latham
    • review of News from the Front by D. M. Thomas and Sylvia Kantaris
  • Martin Bax:
    • review of Sweet & Sour by Christopher Logue
    • review of Poems by Philip Oakes
  • Gerda Mayer:
    • "The Lumpy and Oatfish Girl" (poetry)
    • "Mrs K's Letter" (poetry)
    • "Male Butterflies Court Falling Leaves" (poetry)
    • "To Pip, My Cat" (poetry)
    • "Seafarer" (poetry)
  • Charles Roff: "In Cornwall" (photographs)
  • Michael Roche:
    • "She in Sun" (poetry)
    • "Moons Dog" (poetry)
    • "Bridal Bits" (poetry)
    • "Snug Poem" (poetry)
  • Adrian Henri: 
    • review of Bump-Starting the Hearse by Kit Wright
    • review of The Virgin and the Nightingale by Fleur Adcock
    • review of Selected Poems by Fleur Adcock
  • unstated: review of A World of Difference by Norman McCaig
  • Henry Graham: "Overdrawn." (poetry)
  • Charles Shearer: drawings
  • Robert Calvert: 
    • "Deck-Chairs" (poetry)
    • "Crane Fly" (poetry)
  • Ron Sandford: drawings of Christopher Logue

Publishing Information:

  • Editor: Martin Bax
  • Poetry: Edwin Brock, Henry Graham
  • Art: Michael Foreman
  • Prose: J. G. Ballard
  • Theatre: Irving Wardle
  • Music: Henry Lowther
  • et al

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