Beat Scene, Issue 38, n.d. [Summer 2001]










An interview with Dave Haselwood of the Auerhahn Press entitled "The Auerhahn Press: A Constant Flying by Night" is at pages 5-12, and discussion of the Burroughs/Gysin book The Exterminator is at page 9; an advertisement for the book is reproduced at page 7. 

News on upcoming Burroughs-related books is at page 26. 

A review by Dan Albrighton of a Burroughs discussion and film viewing (Towers Open Fire and The Cut-Ups) at the Clore Auditorium at the Tate, London, March 14, 2001, is at page 52. 

A brief review by Mac Evans of Eric C. Shoaf's Collecting William S. Burroughs in Print: A Checklist is at page 59. 

A review by Pauline Reeves of John Lardas' The Bop Apocalypse: The Religious Visions of Kerouac, Ginsberg and Burroughs is at page 61. 

Inside the back cover is an advertisement for Ron Whitehead's A Burroughs Compendium: Calling the Toads.

Published in Binley Woods, England by Kevin Ring of Beat Scene Press in mid-2001.

This copy acquired from Third Mind Books (Ann Arbor, MI.).

Bibliographic Information: 

  • Not in Shoaf
  • Not in Schottlaender (v4)
  • Raven 20010700BSCE.0.38
Contents: 
  • Kevin Ring: 
    • "First Words" (editorial)
    • "The Auerhahn Press: A Constant Flying by Night" (interview with Dave Haselwood)
    • "Ruth Weiss: Poetry and All that Jazz" (interview with Ruth Weiss)
    • review of Jack Kerouac's Book of Dreams
    • review of Joan Haverty Kerouac's Nobody's Wife: The Smart Aleck and the King of the Beats
  • Dawn Swoop: 
    • "Diane's Story" (on Diane di Prima's Recollections of My Life as a Woman)
    • review of Hunter S. Thompson's Screwjack
    • review of Daniel Weizman's Drinking with Bukowski: Recollections of the Poet Laureate of Skid Row
    • review of Double Indemnity: The Complete Screenplay by Billy Wilder and Raymong Chandler, ed. Jeffrey Meyers
    • review of Joanne Kyger's Some Life
  • Pauline Reeves: 
    • review of Charles Olson: Selected Letters, edited by Ralph Maude
    • "Beats & Co." (book news)
    • "The Jack Kerouac Biographies" (collected review)
    • "Bad Boy Corso Dies Aged 70" (obituary)
    • review of Lawrence Ferlinghetti's What is Poetry
    • review of Billy Wilder's The Lost Weekend: The Complete Screenplay
    • review of Joanne Kyger's Strange Big Moon: The Japan and India Journals 1960-1964
    • review of John Lardas' The Bop Apocalypse: The Religious Visions of Kerouac, Ginsberg and Burroughs
  • Jim Burns: 
    • "Black Mountain College" (essay)
    • "Open Door at the Red Drum" (on the Open Door bar, called the Red Drum in Kerouac's Subterraneans)
    • "On the Road with Dizzy" (review of Ken Vail's Dizzy Gillespie: The Bebop Years1937-1952
  • Brad Evans and A. D. Winans: "A. D. Winans: An Interview"
  • Mac Evans: 
    • "On The Road Scroll to Be Sold" (essay)
    • review of Shut Your Mouth and Open Your Mind: The Rise & Reckless Fall of Lenny Bruce
    • review of Eric C. Shoaf's Collecting William S. Burroughs in Print: A Checklist
    • review of Hunter S. Thompson, Fear and Loathing in America: The Brutal Odyssey of an Outlaw Journalist, 1968-1976, ed. Douglas Brinkley
  • Steve Edington: "'He's Still Alive Because He's An Angel'" (interview with Mary Ackerman, Kerouac's "junkey girl")
  • Sophia Nitrate: 
    • "On The Road: A Movie at Last?" (essay)
    • review of Allen Ginsberg: Selected Poems 1947-1995
    • review of Jack Kerouac's The Subterraneans & Pic
    • review of Jules Smith's Art, Survival and So Forth: The Poetry of Charles Bukowski
    • review of Richard Brautigan's So the Wind Won't Blow It All Away
    • review of J. De Valk's Chet Baker: His Life and Music
  • Anthony Reynolds and Dan Fante: "Dan Fante in Old London Town" (interview)
  • Michael Skau: "Gregory Corso, 1930-2001" (obituary)
  • Gregory Corso: 
    • "Identity" (poetry)
    • "Humanity" (poetry)
    • "Last Indian Dream" (poetry)
    • "'No One in Particular'" (poetry)
  • Vojo Sindolic: "My Friend, Gregorio Nunzio Corso, Grandson of Anna Corso" (obituary)
  • Darrin Daniel: "A Ring of Bine in the Clear Stream: The Poetry of Lew Welch" (essay)
  • Colin Cooper: 
    • review of San Francisco Beat: Talking with the Poets, ed. David Meltzer
    • review of The Selected Letters of Tennessee Williams, Volume 1 – 1920-1945, ed. Albert J. Devlin and Nancy M. Tischler
    • review of Stroker, issue 69, ed. Irving Stettner
    • review of Irving Stettner's Adventures of a 2nd Avenue Patroller
    • review of Russell Harrison's Against the American Dream: Essays on Charles Bukowski
    • review of Ralph Alfonso's Ralph: This Is for the Night People
    • review of The Reater, issue 4
  • Dan Albrighton: review of "William Burroughs Night" at the Tate, London, March 14, 2001
  • Ron Summer: review of Anne Waldman's Alchemical Elegy: Selected Songs and Writings
  • Ryan Ellis: 
    • review of Roy Carney's Cassavetes on Cassavetes 
    • review of Tony Trigilio's Strange Prophecies Anew: Reading Apocalypse in Blake, H.D., and Ginsberg
    • review of Tony Scibella's The Kid in America
  • Mike Facey: review of Billy Childish's Chatham Town Welcomes Desperate Men
  • Brian Dalton: 
    • review of The Literature of California: Writings from the Golden State, edited by Jack Hicks, James D. Houston, Maxine Hong Kingston, and Al Young
    • review of Libbie Rifkin's Career Moves: Olson, CReeley, Zukofsky, Berrigan, and the American Avant-Garde
    • music reviews
    • "On the Road Again and Again..." (essay)
  • Izzy Young: "Gregory's Film (and Harry's Too)" (diary entries)
  • David Kearns: review of Rani Singh's Think of the Self Speaking: Harry Smith – Selected Interviews
  • Sappa Creek: review of Rod Phillips' Forest Beatniks and Urban Thoreaus: Gary Snyder, Jack Kerouac, Lew Welch, and Michael McClure
Publishing Information: 
  • Editor: Kevin Ring
  • Jazz Editor: Jim Burns
  • Research and News: Pauline Reeves, MacEvans
  • Layout: Nivek Gnir [Kevin Ring] and "The Mad Scientists"

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