Village Voice, Volume 22, Number 20, 16 May 1977
This includes “Orpheus Holds His Own: William Burroughs Talks with Tennessee Williams”, pp. 44-45, in which Burroughs interviews Williams. This includes photographs by Michael McKenzie.
Published in New York City by The Village Voice in May 1977.
This copy was acquired from Between the Covers Books (Gloucester City, NJ).
Bibliographic Information:
- Not in Shoaf
- Not in Schottlaender
- Raven 19770516TVVO.22.20
Selected Contents:
- Sorel: comic
- letters
- Jules Feiffer: comic
- Walter Gurbo: "Drawing Room" (comic)
- Stan Mack: "Stan Mack's Real Life Funnies: Rally Against Crime" (comic)
- Geoffrey Stokes: "Take Two Methadone and Call Me in the Millennium" (esay)
- Fred McDarrah: photographs
- Alexander Cockburn:"Press Clips" (news)
- Jack Newfield: "Beame's Budget Boondoggle: Convention Center Rises Again" (essay)
- Burt Supree: "Columbia Cold-Shoulders 28 Kids" (essay)
- Ned Tamlyn: photograph
- Sylvia Plachy: photograph
- Michael Daly and Henry O'Hagan: "Runnin' Scared" (essay)
- Wayne Miller: photograph
- Sara Davidson: "4 Women: Berkeley Before the War" (essay)
- Howard Smith and Brian Van der Horst: "Scenes" (essays)
- Clark Whelton: "N.Y. Threats Battle L.A., Retain Hold on First" (essay)
- Anna Mayo: "Live Free or Fry" (essay)
- Alexander Cockburn and James Ridgeway: "The Greasy Pole" (essays)
- Wes Goodwin: illustration
- Joel Oppenheimer: "Spring Fever" (essay)
- Nat Hentoff: "The Killing of Irish Childhood" (essay)
- Ira Hechtlinger: illustration
- Michael McKenzie: photographs
- William S. Burroughs and Tennessee Williams: "Orpheus Holds His Own: William Burroughs Talks with Tennessee Williams" (interview)
- Andrew Sarris: "All Quiet on the Russian Front" (review of the film Cross of Iron by Sam Peckinpah)
- Mary Harron: "Alas, Woodstock" (essay)
- Stephen Holden: "Jesse Winchester: A Rebel's Calling" (review)
- Geoffrey Stokes: "Feat of Clay" (review)
- Gary Giddins: "An Ill-Served Duet" (review)
- Trixie A. Balm: "Armadillo Disco at O'Lunney's " (review)
- Tom Johnson: "It's Condensation Time" (review)
- Leighton Kerner: "It's Decompression Time" (review)
- Harvey Wang: photograph
- Beth Bergman: photograph
- Sally Banes: "Lucinda Childs: Simplicity Forces You to See" (essay)
- Lois Greenfield: photographs
- Deborah Jowitt: "Tharp Stays Fast and Flexible" (essay)
- Laurie Stone: "Pink Collar Labor: Women's Work Is Still What It Used To Be" (review of Pink Collar Workers: Inside the World of Women's Work by Louise Kapp Howe)
- Aram Saroyan: "Where Have All the Sequoias Gone?" (combined review of Golden Gate, edited by David Meltzer, and Archetype West by William Everson)
- Nancy Crampton: photographs
- Jill Krementz: photograph
- David Bourdon: "Time Means Nothing to a Realist" (on Chuck Close)
- Arthur Sainer: "Making Soup out of Champagne" (review)
- Michael Feingold: "Fast and Loose" (combined review)
- Reika Munk: "Tracking the Beast" (review)
- Ross Wetzsteon: "Onepenny Opera" (combined review)
- Theodore Gross: "Un-Cowardly" (review)
- Eileen Blumenthal: "Masterly Mines" (review)
- David Burnett: photograph
- F. Joseph Spieler: "Inconclusive Evidence" (essay)
- Arthur Bell: "The Marketable Richard Dreyfuss" (essay)
Publishing Information:
- Editor: Marianne Partridge
- Managing Editor: Alan Weitz
- Art Director: George Delmerico
- Copy Chief: Marsha Nettleton Mark
- Senior Editors: Robert Christgau, Karen Durbin, Gil Eisner, Eliot Fremont-Smith, Jill Goldstein, Richard Goldstein, Jack Newfield, Andrew Sarris, Ross Wetzsteon
- Senior Associate Editors: Alexandra Anderson, Helena Hacker
- et al




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